By: Bradley Loves
Hollywood has become so “crazy” and so “insane”…, that they think that “THEY” are the only ENLIGHTENED beings that exist on planet Earth! What EGO’s!!
Their opinion ONLY…, holds water.
As a result…, their new goal is to PUNISH the rest of the country by “going on strike” and “depriving us” of their “talent”.
Well let me tell you something HOLLYWOOD…, don’t let the door hit you in the ass on your way out!!
WE DON’T NEED YOU…, YOUR MOVIES…, or YOUR OPINIONS!
You are “over-paid” lackeys of a system of thinking that wants to ENSLAVE humanity…, and you support PEDOPHILIA, and SATANISM to boot!
This article comes on the heels of this post from STATE OF THE NATION!
Today’s Celebrity Society Begs For A Spanking
The Likes of Obama and Clinton and Biden
and Pelosi are the Product of America’s
Depraved and Degenerate Celebrity Culture
Celebrities Call For ‘Total Hollywood Strike’ Until Trump Resigns
State of the Nation
In light of the Hollywood Strike called against the inauguration of Donald Trump, a mass boycott is more necessary than ever. By disrespecting the democratic process so profoundly, the celebrity society has shown that they do not deserve our patronage. Hence, they have provided the rest of America very good reason to pre-empt their juvenile strike with a nationwide boycott of our own. The sheer recklessness and chutzpah by which Hollywood has galvanized this strike smacks of a classic C.I.A. color revolution via targeted destabilization and engineered chaos. However, in their utter arrogance and hubris the celebs have unwittingly provided working Americans with a golden opportunity. This once-in-a-century event will create the distinct possibility of ridding the USA of the completely degenerate culture now notoriously known as Hollyweird. (Hollywood Celebrities Actually Dare US To Boycott After They Declare A Strike Against Trump)
Truly, there has never been a better time to boycott and bankrupt the celebrity society that so dominates American culture. That degenerate society is so wrapped up with the nation’s political class that a hit to one will cause a good smackdown to the other. Which is exactly what this nation needs at this critical time of the Second American Revolution.
The Democratic side of the political aisle is particularly vulnerable to this incestuous entanglement with Hollywood and all the other celebrity spaces like New York City and Orlando. These ultra-liberal and pseudo-progressive bastions have all but sealed the downfall of the American Republic, so why not take them down first before they take the country down?
Do you get it?
The United States of America since the beginning of the last century was quite purposefully built around the fictitious American Dream which was mirrored on the silver screen by all of those Hollywood stars. Some of the earliest stars, as they are known, because everyone watched them with awe and envy once upon a time, were very good and talented people. However, in many cases their images were used to create a fake image of what success ought to look like for the average American.
This constantly played rerun of the false construct of the American success story appeared on television and at the cinema for decades. In this way was the American Dream hardwired into the collective consciousness of the American people. This fictitious dream was then sought after by many which was then cynically used by the political class as a carrot, and sometimes as a stick.
The critical point here is that now that the American Dream has been turned into the American nightmare, it’s time to abandon the celebrity culture that is systematically used to condition the masses via various social engineering techniques. Most of this conditioning takes place in the form of subtle mind-control programming and neuro-linguistic programming that is implemented via the TV and cinema, as well as using the celebrity culture when not sitting in front of the screen. In fact this particular mass mind-control dynamic was utilized to create the greatest weapons of mass deception ever created.
TV, Motion Pictures and the Mainstream Media
Who among us has not fallen under the spell of the Mainstream Media (MSM)? For purposes of this discussion the MSM includes not just TV and cinema, it also includes book publishing, music production, the entire educational system, as well as corporate and government-commissioned artwork. It also includes all of the digital forms of media that dominate the Internet, especially the social media networks and similar content creators and disseminators.
The bottom line here is that it is impossible to avoid the overwhelming influence of the Mainstream Media. Its power over every sphere of American society is as profound and pernicious as it is pervasive and preponderant. Therefore, it’s essential for each and every U.S. citizen to understand what they are really being subjected to 24/7 over the course of their entire lifetime.
Read More here:
NEWSFLASH…, THIS IS WHAT “HOLLYWOOD” IS ALL ABOUT!!!
Notice the “HEAD” sticking up out of the table below??
Now…, for those who want to READ…, instead of look…
Here is an article I posted two years ago about what goes on in Hollywood…, and it is simply an article about the “death” of River Phoenix!
Taken from this link:
The author of this article talks (between the lines) about the serious pedophile problems…, The Children of God cult, and the sexual predators who are EVERYWHERE in Hollywood!
(Enjoy reading about the REAL HOLLYWOOD)
When River Phoenix fatally collapsed from a drug overdose on the sidewalk outside the notorious Viper Room on Halloween 1993, he was a 22-year-old Oscar-nominated star of the classic “Stand by Me” with a brilliant future in the making.
Or so people thought. As Gavin Edwards reveals in his new book, “Last Night at The Viper Room: River Phoenix and the Hollywood He Left Behind,” the actor was planning to quit moviemaking.
He also had a serious heroin problem.
That night he headed out into the Hollywood scene with his younger brother, Joaquin, and sister, Rain. First, they headed in the hills for a party where Leonardo DiCaprio, dressed in costume as Johnny Hollywood, “a generic hipster actor,” spotted River in the crowd.
Then 18, DiCaprio idolized Phoenix, whose industry cred had only risen when he played a street hustler in “My Own Private Idaho.” DiCaprio couldn’t get close enough to talk to Phoenix, but he did get a good look at his face.
“He was beyond pale — he looked white,” the actor recalled.
The Viper Room had been open only a couple of months. Johnny Depp, looking for a cool, underground place to listen to music, had bought the space with associates. It quickly became one big VIP room, with all the famous faces in the crowd rather than performing onstage. Some nights, Depp would host late-night parties for his friends.
The exterior of The Viper Room the day after the death of actor River Phoenix. Fans have left flowers, candles and notes at the spot where he collapsed on November 1, 1993 in Los Angeles, California. (MICHAEL OCHS ARCHIVES/GETTY IMAGES)
“Kate Moss might get behind the bar; Naomi Campbell might dance with security; Depp might have a longer conversation with Chrissie Hynde about religion. On those nights, Depp had reduced the Viper Room to its essence: a party room for him and his celebrity pals,” Edwards reports.
Phoenix toted his guitar to the club that night, but his buddy Flea, of the Red Hot Chili Peppers, told him that all the space on the stage was taken, with Depp leading a roster of performers. So he headed back to the table to share the evening with girlfriend Samantha Mathis and his brother and sister.
There he took a drink from a friend, someone he had twice taken to rehab, and gulped it down without asking what was in it. It was a liquid speedball, a mix of cocaine and heroin. Soon after, he vomited and slumped in his chair.
Edwards speculates that if an ambulance had been called at that moment, Phoenix might have been saved.
Instead, his brother Joaquin walked River out of the club when he groggily roused himself. There, the dark-haired actor fell to the ground and went into seizures. His sister, Rain, sat on his chest to still them.
Phoenix’s girlfriend, Mathis, was futilely banging her head against the wall; Joaquin kept insisting everything was fine.
Joaquin Phoenix (pictured here in 1997) says he’ll never understand his brother’s death, but he’s close to accepting it. “What was difficult in the beginning was that I felt robbed of my memories,” he said. (WYATT COUNTS/AP)
They were young, they were scared, and they didn’t know what to do.
At one point, Christina Applegate came out of the club and walked by. She was crying by the time she reached the corner. Joaquin’s agonized call to 911 — “Please come, he’s dying, please” got wide play in the aftermath.
River Phoenix was declared dead at Cedars-Sinai at 1:51 a.m.
Only later did Depp learn that it was Phoenix who had died outside his club. Mourners scrawled memorials on the door. Depp, who had friends in common with Phoenix, had it unhinged and sent to the Phoenixes in Florida.
Edwards layers “Last Night at The Viper Room,” with context threading a synopsis of Hollywood at the time throughout. DiCaprio was only just getting started, Tom Cruise was willing his way to big-screen stardom and Brad Pitt had just been anointed a star after beating out Phoenix for the lead role in Robert Redford’s “A River Runs Through It.” But the core story is that of River Phoenix, who surely had one of the most unusual childhoods of any kid come to Hollywood.
His parents, Heart (Arlyn) and John, joined the Children of God cult when River was a toddler. They became itinerants, always drifting south when they finally came to rest in the Children of God commune in Caracas, Venezuela. The children were sent into the street to sing or go hungry.
The Children of God was considered a Christian sex cult. The children were encouraged to have sex with adults and with each other. The routine was prayers, and then to bed for “sexual exploration” — including children as young as 3.
In an interview, Phoenix told Details magazine he was 4 when he first “made love.” The encounter was with “kids.”
“But I’ve blocked it out,” he said. “I was completely celibate from 10 to 14.”
The family left the cult before he turned 7. When the directive came that the women should take up “flirty fishing,” using sex to recruit male members, Arlyn balked.
“The guy running it got crazy. He sought to attract rich disciples through sex. No way,” she said later.
But at least to some people’s minds, the family perpetuated the sexual weirdness. For instance, when Phoenix resumed having sex at 15, the act took place in a tent in the family’s backyard decorated by his parents.
[reading between the lines…., basically his PARENTS set up the tent, then decorated it for the act of having sex…, i.e…, they knew of and encouraged him to have sex at 15.]
Then 18, DiCaprio idolized Phoenix, whose industry cred had only risen when he played a street hustler in “My Own Private Idaho.”
Corey Feldman, his co-star on “Stand by Me” — where the young actors, including Wil Wheaton and Jerry O’Connell, were obsessed by sex — says that Phoenix referred to it as his “second virginity.” The girl was a family friend and they went to both sets of parents to get their blessings first.
But while Phoenix asked permission to have sex, and even as his siblings followed him into the business, most notably Joaquin, River remained the family bread-winner. His stand-out movies included “The Mosquito Coast” with Harrison Ford and a role as young Indiana in “Indiana Jones and the Last Crusade.”
He was nominated for an Academy Award for his performance in 1988’s “Running on Empty.” He played the son of a fugitive family living underground. There were some parallels to his own life. On Gus Van Sant’s “My Own Private Idaho,” where he and Keanu Reeves played street kids hustling gay men for money, Phoenix took the role seriously enough to research hard drugs.
One production assistant, Matt Ebert, says there was “rampant heroin use” on the set. And while Phoenix was new to using “it did not take him long to go from, you know, a casual user to having an intense drug problem.”
By the time he made his last movie, “The Thing Called Love,” Phoenix was an obvious casualty. After he stumbled through one scene repeatedly, his eyes unfocused, his agent and then his mother flew in to baby-sit him on location.
By then, his mother had changed her named to Heart and was managing his career. His father, John, had moved to Costa Rica, where the two would fight about the father’s drinking and the son’s career. John believed Hollywood was corrupt and evil and wanted River to quit.
Phoenix, meanwhile, would blow off opportunities like “Reality Bites,” which did so much for Ethan Hawke’s career, and then accuse his agency of hiding scripts from him.
Finally, he agreed to star in “Interview with the Vampire,” and another movie, “Dark Blood.” But he promised his dad that once those movies were done, so was he. He was quitting acting.
Of course, he might have reneged. On Oct. 31, 1993, the star told his young sister and brother to go have fun listening to Depp play The Viper Room.
Then, suddenly River changed his mind, grabbed his guitar and . . .
[Conclusion…, this is only the tip of the iceberg of the problems with SATANIC HOLLYWOOD…, and ANYONE who would listen to a “celebrity” tell us how to live…, NEEDS THEIR HEAD EXAMINED!!]